Spring 2025 offers a fascinating portrait of the contemporary art world—full of contrasts, shifting focuses, and ongoing dialogue between aesthetics and ideology. Three seemingly separate events—Art Basel Hong Kong, Anne-Mie Van Kerckhoven’s exhibition in Brussels, and historical narrative revisions in American museums—come together to form a cohesive story about how we define the role of art in society today.
When Art Slows Down – A Reflection from Art Basel
This year’s edition of Art Basel in Hong Kong revealed a maturing art market in the Asia-Pacific region. Instead of chasing the hottest names, collectors are increasingly seeking lasting value—works with historical depth and institutional recognition. It’s a change of tone: less frenzy, more reflection. Interest in pieces by Picasso, Bhabha, and Lucy Bull shows a growing desire for authenticity—not only in form but also in context.
Digital Feminism and Social Visions – Anne-Mie Van Kerckhoven in Brussels
In a completely different yet equally thought-provoking atmosphere, Belgian artist Anne-Mie Van Kerckhoven presents “Empreint_Jdirai_Odissey (The Good Society)” at dépendance gallery in Brussels. Her works—collages, digital prints, archival drawings—merge feminism, technology, and social critique. A pioneer working at the crossroads of art and science, AMVK continues to explore the boundaries of visual language. This exhibition proves that art can function as both a critical and visionary tool.
Art in the Service of Ideology? Historical Revisions in the U.S.
On the other side of the spectrum, we find the efforts of American cultural institutions, supported by the Mellon Foundation, aiming to reshape historical narratives—especially around race, gender, and LGBTQ+ issues. Educational programs, grants, and museum displays are shifting focus from traditional storytelling to more inclusive approaches. Critics, however, argue that prioritizing diversity at the expense of historical accuracy could undermine the educational mission of these institutions.
Where Are We as Viewers?
The common thread in these three stories is a question: what is art today, and whom does it serve? Is it meant to move, inspire, educate—or transform society? Does the market still determine its value, or do institutions and foundations now hold the power?
2025 shows us that we are in a period of transition. Art is no longer just a commodity or a form of self-expression—it is becoming a battleground for social, ideological, and economic negotiation. While some may find this unsettling, others see it as a powerful opportunity to infuse culture with deeper meaning and responsibility.