Contemporary art knows no borders — its language is universal, though spoken differently in each corner of the world. Recently, three stories emerged that highlight art’s power as critique, experiment, and celebration.
Fang Fang: a critical voice in China
Fang Fang, veteran dealer and founder of Beijing’s Star Gallery, has championed young artists like Chen Ke for over two decades. In a recent interview, he emphasized the lack of a coherent contemporary art narrative in China and called for greater institutional solidarity across Asia. His words serve both as a diagnosis and a call for responsibility towards the future of the art market.
Henning Bohl: painting as installation
At Neuer Essener Kunstverein in Germany, Henning Bohl presents Die Gabe. Instead of treating painting as a flat image, he transforms it into an installation — a walled garden filled with portals, symbols, and layered meanings. His work dissolves the boundaries of painting and invites viewers into a spatial experience.
Zena Elliott: award after 25 years
In Hamilton, New Zealand, the National Contemporary Art Award 2025 was awarded to Zena Elliott from Waikato. After 25 years of dedication, she received the country’s most prestigious recognition. Her win is proof that persistence, authenticity, and consistency in art eventually bear fruit.
Art as a shared language
Though different in context, the stories of Fang Fang, Henning Bohl, and Zena Elliott converge in one idea: art is a dialogue. It can critique systems, redefine conventions, or reward perseverance — but it always speaks with a voice that unites.